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Discovered through ffffound, here's a windshield sticker from the 1940's symbolizing gasoline rations. Historical and typographical.
DUKE LIBRARY
Self-promotion annual gift limited to 300 numbered copies. Intending to share with clients and friends some of the graphic design universe, a typographic Concentration Game was created. It's comprised of 20 pairs of cards, each one presenting a different type family. Extra cards bring a typographical glossary with main terms and the explanation of the sentence witch names the gift: "the quick brown fox jumps to over the lazy dog". The package also contains a text about the evolution of type design, locating in history each font used in the cards.
If you ever wished that Andrew W.K.--after a career spent making operatic, uplifting rock--would go into the world of infomercials, then you need to hear and read the latest issue of The Journal of Popular Noise. This audio zine, curated by graphic designer Byron Kalet, aims to blend "traditions of pop music, printed periodicals, and the delight of a finely crafted artifact." The journal comes with three 45s (pop), each slotted into origami cardstock (artifact). Carefully unfold the letter-pressed package, and you will find a summary of each recording artist. Kalet grew up making music in Seattle before moving to New York City to study design at Parsons. He founded the journal in his spare time "as sort of a reconciliation between music and magazines," he says. "it was an exploration into the crossover between sound and vision." In addition to W.K., the next issue will feature contributions from former Make=Up front man Ian Scenonius and the sketch-comedy duo of Sarah Walker and Jessie Cantrell.
The gloves are off. It has been suggested that our environment is over-saturated with use of Helvetica. Some have even suggested that Helvetica is a complete design cop-out. Others would say that Helvetica and associated signage are beautiful works of art that requires hours at the computer, slaving over letter spacing. This project suggest that perhaps Helvetica posters are so extremely formulaic that perhaps a monkey (or a computer) could do it? This is an experiment in design discourse.
The jury is still out.
This Thursday, there will be an auction of posters (designed by James Victore, Strange Attractors, Deb Bishop, Matteo Bologna, and Roberto de Vicq de Cumptich to name a few) at the Type Directors Club. Each of them will be auctioned off on 11 June 2009 (6 pm), with proceeds to benefit the TDC Scholarship fund. That’s right! You can own a little piece of design history, and support design education in the bargain. The posters will be on view at the Club from 21 May to 11 June, 2009